Acid Alex comes with a warning: Enter at own risk. Because:
"Multilingual Obscenity, Widescale Offensiveness, Murky Scandals,
Straightforward Defamation, Pantheonic Blasphemy, as well as Racial,
Linguistic, Religious, Sexual and several badly defined Prejudices
aimed at both Individuals and Institutions are discussed volubly
within."
And definitely don't try any of this at home, kids.
Acid Alex is the life story of South African drug smuggler Al
Lovejoy - and it's one worth telling. It starts with a childhood of
horrific abuse at the hands of his adoptive parents and various
educational institutions and reformatories, which sets the stage for
the adulthood of drug infused, chaotic violence and organised crime
that follows, including three years spent in a Belgian jail.
It might be true, as he says in the book's first paragraph, that he
was born to tell this story - but it's somewhat of a miracle he lived
to tell it at all.
I'm sure glad he did. This is, as Koos Kombuis says in the forward,
"a book which is about to turn South African literature on its head".
It sheds light on a "lost generation" of South Africans, who grew up
during the 70s, 80s and 90s, let down by the system and left to make
sense of it all in the country's clubs, shebeens and gangs.
Lovejoy says he had to cut roughly the size of a novel from the
final version and somewhere in the middle of the book he invites you,
if you ever run into him, to buy him a beer and he'll tell you the rest
of it.
I'm definitely taking him up on the offer next time I go home to the
Bos - this is the oke who controlled the drug trade in Upstairs
and Mash when my school buddies and I were still giggling over our
first sips of cider there. He's like the anti-hero of my generation.
And reading Acid Alex is like sitting opposite the guy in Die Akker,
goofed with a bottle of Tassies between you, listening to the type of
shocking, hilariously crazy (exaggerated? it's hard to tell) drunken
escapades and close shaves many a guy would like to brag about but few
are actually tough enough to ever have experienced.
It's written in a loud, foul-mouthed South African slang that makes
for colourful reading. To help you follow the story and distinguish
between tampons and tiffies, buttonkoppe and roekers, gattas and boere,
skates and shivs, candy and charlie, bras,chinas and bizas, there is a
six-page glossary of terms in the back, some of which have probably
never appeared in print before.
He writes with a fearless honesty, like a man with nothing left to lose writing his way to redemption.
The amount of factual detail the book contains about practices and
individuals within South Africa's drug trade and prisons is
astonishing. How he has not been slapped with a libel suit or hunted
down by some of the unsavoury characters he describes is beyond me.
He even labels one of my former pastors in Stellenbosch as a
"psycho-logical hijacker" leading a "quasi-cultist" outfit and a "ou
you know is lying continuously because his lips move when he speaks".
But I'm inclined to forgive him, as - despite his raving hysteria
against the hypocrisy of religious organisations (much of which many a
'victim' of the NG Kerk during apartheid will agree with) - the book
nexpectedly turns out to be one of the greatest spiritual testimonies
I've ever read.
It also, ultimately, teaches that crime doesn't pay, drugs don't
work and we should all do more to protect the innocent children.
It's a book I would recommend every South African to read - for its educational as well as entertainment value.
Apparently Lovejoy is working on a screen play for the movie version
of the book. If he pulls it off, it will be a cult classic somewhere
between the Trainspotting and Pulp Fiction of South Africa.
Acid Alex by Al Lovejoy, from Zebra press, 368p, now available for R111.96 from Kalahari.net.